I’m relatively new to memoirs. Many years ago, I used to devour autobiographies or biographies, eager to learn more about public figures who may have piqued my interest. I enjoyed the ‘inside scoop’, poring over others’ lives in the context of the particular social and political period. Memoirs, however, are very different. They’re not about setting the record straight or documenting a history. Memoirs are reflective pieces, striving to make sense of memories, events, feelings and experiences.
I first heard Susan Francis speak on the ‘So You Want To Be A Writer’ podcast, having no idea who she was. She was not, at that stage at least, a renowned public figure or celebrity. She sounded very much like a “normal” woman. It was astonishing, then, when she alluded to a number of family secrets and mysteries that would take her not only across the country, but across the world. She faced her fears head-on, aware that she could uncover events that might rattle her to the core and question everything she held dear.
Mark Twain once wrote, “The only difference between reality and fiction is that fiction needs to be credible.” Susan Francis’ memoir is, indeed, incredible. After grappling for many years with notions of identity and belonging, her peace and joy was shortlived, and abruptly followed by a complicated grief. This is so much more than a retelling and unravelling of family secrets, or a recount of shocking events. This is an intimate, honest and at times confronting piece of writing. There is a sense that this memoir was a cathartic experience, and consequently as a reader, I travelled the highs and lows of delight and pain right by her side. Susan Francis might sound like a “normal” woman, but her determination, sense of purpose and courage are extraordinary.
The Deceptions, by Suzanne Leal, is a really clever book. It delves deeply into human nature and examines the choices we make both in everyday life and in dire circumstances. Told in alternating voices and across different time periods, the truth about the past unravels with unforeseen twists and turns along the way. The horrors of war are dealt with honestly, but not gratuitously, and I was once again struck by the resilience of those who lived through such chilling atrocities. When I finished reading the book, I reflected on the cast of characters and their own personal hardships. It dawned on me that the title itself was reflected in big and little deceptions throughout – suffering because of the deception of others, causing suffering through intentional deceit, well-intentioned deception, and the ultimate deception resulting in a significant ripple effect over generations. Deceptions are, regrettably, part of the human experience, and this cleverly crafted novel dives into the murkiness and invites the reader to examine their own motivations and responses. I know this book will stay with me for a long time.
How I wish I could write like Charlotte Wood! Not surprisingly, this writer has received many accolades for her work, and it’s not hard to see why. The Weekend was shortlisted for the 2020 Stella Prize, and gently weaves together themes of friendship, grief, longing, disappointment, resilience and hope. I knew these characters. I really knew them. I knew what they looked like, how they carried themselves, what made them happy, sad, resentful, and what made them tick. My knees hurt when they walked up the stairs, I could smell the dog and I sensed the frustration of being misunderstood. I was all of these characters, and I was none of these characters. I was in the car, I was in the treehouse, I was by the water. I truly lost myself in this book.
I had read a few reviews of this book that questioned why these characters were friends in the first place. I didn’t question that for a minute. Shared histories and shared memories often drive friendships over time, even as situations and circumstances change. Wood’s characters were flawed and self-obsessed, and very real. The scenario was a perfect device for confronting personal histories, successes and disappointments, while questioning the future. This book is a tribute to those friendships that weren’t discarded when things got tough or when feelings got hurt, but endured and are enduring.
This book had been a constant in social media feeds for a while, but it only jumped on my ‘must read’ list after I heard Christian White on the ‘So you want to be a writer’ podcast. I now have ‘The wife of and the widow’ on my must-reads list as well. Winner of the Victorian Premier’s Literary Award, ‘The nowhere child’ lived up to the hype of being a fast-moving thriller, with whiplash-inducing twists and turns throughout. I read it in a day, mostly because I have zero self-control when it comes to chapters that end with a cliff-hanger. Typically, I tend to gravitate towards more lyrically written, slower-paced books that delve deeply into each and every character. ‘Nowhere child’, in contrast, was a rocketing read and felt like a guilty pleasure. (Surely it will be seen on Netflix in due course…) From an aspiring author’s perspective, I was struck by the level of sophistication in the writing, the detail in diverse settings and the tight, intersecting storylines. I was also struck by the fact that this is White’s debut novel! Can’t wait to read more in the future, although my next read will probably be a more sedate one.
A couple of years ago, Tristan Bancks received well-deserved accolades for Two Wolves. For many years, I had been lamenting the absence of books for upper primary that were gripping, thought-provoking and accessible, yet not filled with inappropriate language or 'mature themes'. At the time, I thought Two Wolves was revolutionary.
I had been eager to read Detention since last year, and recently devoured it in one sitting. It did not disappoint. One of the things I love most about Bancks' writing is the respect he shows to his young audience. He presents complex ethical dilemmas without preaching or patronising. As with Two Wolves, the reader is goaded into asking, "what would I do?" throughout every chapter. The young protagonists are both attempting to escape from vastly different types of detention - one imposed by the government, and one imposed by poverty and a dysfunctional family. Bancks avoids the temptation to gloss over his minor characters or have them morph into stereotypes, and instead draws them with depth and nuance. Their small roles help paint a much bigger picture. Similarly, the sparse settings and barren landscape provide a perfect backdrop for the gritty and tense storyline.
I loved this book. Bancks is a master of intelligent writing that connects with the reader in a deep and profound way.
Let me be clear - peer pressure isn't exclusively for angsty teens. Now mature in years (but immature in spirit), I opened this book purely because of the peer pressure I felt from my friends and online book groups. ("You must!!") To be honest, I was a little nervous. Most of the comments had revolved around the epic setting, the detailed wildlife, the descriptions of the marsh. I was bracing myself for a lyrical version of a National Geographic documentary. I didn't know what a crawdad was, but figured they were central to the plot. I expected it to be beautifully written, but very slow.
What I didn't expect was an intriguing mystery, a beautiful love story and a slice of American social history. I didn't expect to be so absorbed in the lives of the characters, or drawn in by the slow burn of the unfolding story. I didn't expect to be completely converted and become one of those people who cry, "You must! You must!!!"
I'm now exerting peer pressure on all my friends who haven't lived through the world of the crawdads. However, I tell them - don't read it just for the exquisite writing; read it for the story!
I had a very happy childhood, and some of my most cherished early memories are those spent with my Dad in the local library while my Mum did the weekly grocery shop. I was the proudest of proud Library Monitors in Year 6, and when I found the senior years tricky, I would retreat into the haven of the school library. I am now a teacher librarian, ironically working in the same school library!
Clearly, I'm a library tragic.
The Library Book, by Susan Orlean, is my kind of book.
At one level, it is an exploration of the massively destructive 1986 fire in the Los Angeles Library. The reader is introduced to the prime suspect, and eye-witnesses to the event provide a personal insight of its magnitude and impact on the community at the time. Descriptions of the fire are poetic, providing an unnerving contrast to the unfolding disaster.
However, the book is so much more than a recount of a terrible event, or even a whodunnit. It delves deeply into the role libraries have played in the development of societies, political systems and ever-changing communities. Orlean demonstrates time and time again that truth is stranger than fiction, and that librarians are infinitely more complex and unique than the persistent stereotypes portray.
The more I read of this book, the more I realised that I had taken my love of libraries for granted. I owe such gratitude not only to Orlean for educating me, but for all of the library lovers and librarians who have enabled libraries to thrive regardless of circumstances. Libraries are far from dead. Librarians have always ensured that libraries are ahead of the game, embracing change and providing innovative leadership in navigating the future, while preserving and respecting the past.
This is, indeed, my kind of book.
This book had been sitting in my 'to-be-read' pile for over a year. Friends and colleagues had enjoyed it, although I'd read some mixed reviews on my social media haunts. As for me, I loved it, although I can understand why it isn't everyone's cup of tea.
It's a big novel, and although there are not too many characters to keep track of, some aspects of the novel seemed laboured and unnecessary. Although there is suspense throughout, it is not a rip-roaring yarn that speeds along. Some have noted that reading the book was a commitment rather than a joy. To some extent, I agree with them, although I did experience joy is reading an exquisitely crafted novel.
The characters are drawn beautifully. I felt I knew them all, and felt every bit of their anxiety, sorrow and disillusionment. Donna Tartt managed to evoke sympathy for several flawed characters, and contrasting settings added to the rising tension throughout the book.
It is a book that will stay with me, and I am glad to have read it. However, I won't be recommending it to the universe, although I do know of some kindred spirits who will love it.
I must admit, when this was suggested for our Y6 Book Club, I was a little dubious. Wolves and vikings aren't really my cup of tea, but in the spirit of 'practise what you preach', I read it with an open mind, despite being out of my comfort zone.
What I discovered was a children's novel with a fierce heroine who endures physical and emotional hardship with determination and grit. The book itself was haunting, atmospheric, violent and tense. Although it had the potential to be universally dark, I found the themes of friendship and trust shone through its bleakest moments.
Although there are countless middle grade books featuring plucky young heroines who love adventure and ultimately save the day, it is less common to find them in life and death Viking territory, swinging wildly between being hunted and being the hunter. She Wolf, with its powerful characters, distinctive and wild setting, and sustained tension throughout, is a rarity, a book almost entirely about a girl, which is equally appealing to girls and boys.
I only put it down to make myself a strong cup of tea when it all become too nerve-wracking for me. It was a high-stakes adventure with a very satisfying ending.
Kobi Yamada and Mae Besom - what a team! This book, released at the start of 2018 follows What do you do with an idea? and What do you do with a problem? This series taps into the importance of creative and critical thinking in a gentle and accessible way for even the youngest of readers.
The PYP component of the IB prioritises the development of key learner attributes, and one of these is being a risk-taker. It is important to note that risk-taking in this context refers to stepping outside your comfort zone, and not engaging in risky or dangerous behaviour. Being a risk-taker is increasingly difficult for some children in an era of 'helicopter parenting' and 'bubble-wrap childhoods'. In addition, standardised testing which rewards correct answers over creative ones, stifles the desire for taking chances if children think they will be wrong and/or fail. This book with its gentle illustrations and simple storyline shows risk-taking as inviting and rewarding. This series is essential for school libraries, and would be valuable to share regularly in both the classroom and the home.
Highly, highly recommended.
Please find here an assorted mix of what I tend to read - new books, old books, birthday gifts, gifts to myself, books from my to-be-read pile, fiction, non-fiction, memoirs - basically a weird assortment of goodies! My comments here are simply thought-bubbles, rather than formal book reviews. Stream of consciousness. Please share your comments and connect. I love a reading community!